Picking Up The Pieces
I have composed a piece of serialist music to reflect Kim’s feelings and my own emotions after our encounter- part 1 is shown above.
It is based on a tone row (of 1 semitone, 2 semitones and 5 semitones) which makes the music very atonal and angular – this could be seen as a ‘breakdown’ of normal musical conventions and so reflects Kim’s very first statement to the doctor: Tm having a mental breakdown’. I feel it also represents the despair and anguish she must have felt at the moment she decided to kill herself. This choice also reflects the shock that I felt at this lady’s situation. I have used the oboe because this instrument has a very piercing sound which I felt portrayed the verbal and physical abuse she is subject to. I have also used many clashes -for example the triplets against quavers (in bar 23), and the dissonant chords in the piano accompaniment- to reflect the discrepancy between her husband as a carer and her husband as an abuser. The repeating triplets in bar 23 are also meant to represent the 30 tablets she took to try and take her life.
I have used the whole range of dynamics and the entire range of the oboe to portray the sheer number of problems that Kim has to face daily: her mental disorder which means that she is unstable and suffers from anxiety, depression and insomnia. These symptoms are compounded by domestic violence, bullying by her son and financial issues.
I could not believe how much this lady had to go through and I was particularly upset by the fact that she receives very little support from her family which is why I used such a range of musical techniques, as range of dynamics, pitch and timbre is conventionally used by composers to express a wide variety of emotions and experiences.
My title- ‘Picking up the Pieces’- is a response to Kim’s statement: ‘I’m having a mental breakdown’. It formed a mental image in my head of her life, body and mind shattering into pieces. Her GP and the crisis team then have the job of helping her pick up these pieces and helping her recover.
I have not included the patient’s real name for reasons of confidentiality and I gained Kim’s permission to use her story as the basis of this creative piece.
I think this piece wholly reflects the situation that Kim finds herself in. The atonal music with the angular feel conveys the idea of helplessness greatly, and coupled with the sombre tone of the Oboe and gentleness of the Piano help to add a degree of tension to the score. The use of triplets in the last line add a degree of randomness to the music, which help to give a feeling of lack of understanding when hearing the music for the first time, similar to the feeling that a Doctor might have felt talking to Kim, as he or she might not have fully understood the complexity of Kim’s condition, and may have a lack of understanding of a mental health crisis.