Select Page

Broken Heart Syndrome Unravelled

Rose Black

Mixed-media

I naively expected to have a conversation with a patient just about their medical conditions, treatments and so on. Instead, this patient told a very moving, heartfelt story, which I tried to represent in my creative piece.

 

The patient, I shall call Imelda* related her story through an online call, but even ‘remotely’, the content and telling of the story made it feel very personal. This made me realise the obvious fact that medicine has profound, personal impacts, there is so much more to treating a patient than fixing a medical problem. The points I focused on in my creative  piece were the depression felt by the patient, worsened by the death of their family members, and a heart condition they experienced called ‘takotsubo’.

Takotsubo is a type of cardiomyopathy, severe emotional stress causes the heart to balloon and become weakened, leading to severe chest pain. It is colloquially known as ‘broken heart syndrome’, as it is often felt after the death of a loved one, due to the emotional stress of that situation. During the acute phase of the disease, the left ventricle swells, and takes the shape of a ’tako-tsubo’ (an octopus trap in Japanese). However, the patient recovers quickly, and there is no specific treatment for this syndrome. Therefore, instead of displaying the physiological changes of the heart in a takotsubo state in my creative piece, I wanted to represent the emotional impact.

I chose to create a drawing (of the heart) as part of a three-dimensional model to reflect how the patient’s story was so impactful. They were just outlining their story, like the outline of the heart, but the emotion and unexpectedness made it feel vivid and shocking – as if their words became three-dimensional.

The choice of a book represents Imelda’s life, her ‘life story’. This starting point was inspired by a different clinical encounter when someone in my group asked a patient ‘if this was a story, where would it all begin?’ There is writing on one of the pages to show their life story so far, which is then interrupted by an emotional and physical stress on their heart which dominates their life at this current page. The next page hasn’t been ‘written’ yet as the heart problem must first be dealt with before it can be reached.

The Heartstrings represent how the patient felt like their ‘heart was broken’, but also how the story pulled on my ‘heartstrings’, as I empathised with Imelda. The string is positioned to show the destruction to the patient’s life-story caused by intense emotions leading up to this event. The strings come forward and off the canvas to again reflect how I responded to the Imelda’s story, the meeting was online, but, it felt as though the story had reached me in person. The string is only on the left side of the heart for two reasons: to show the sudden onset of the cardiomyopathy, and how takotsubo mainly effects the left ventricle.

As previously mentioned, the hand-writing reflects the patient’s story so far. It gets darker at the bottom of the page to reflect the worsening depression felt by the patient. This numb feeling of depression contrasts with the intense emotional and physical pain of this heart condition represented by the heartstrings. The writing is illegible to show how the doctor/ myself as a medical student can’t interpret the patient’s story independently, we must rely on the patient to choose to tell us the story. It also reflects doctor’s infamously bad handwriting.

The black book cover – I painted the book cover black to again symbolise how, as medical professionals, we cannot interpret, or be fully aware of a patient’s situation without them telling us their story. We cannot judge a book by its cover. This also represents how I assumed the conversation with this patient would be quite direct and unemotional, as I was completely unaware of their situation and story when first introduced to them.

The book is open to show how the patient is choosing to share their story with us, which I felt quite privileged by. I think it also shows vulnerability, when alongside the heart. It shows how the patient is being vulnerable and talking to strangers about matters that are close to their heart, which is admirable and brave.

 

I think this story stood out to me especially as I believe many people view the heart as a ‘life force’: the heart and it’s beat symbolise life. Therefore, I found it quite shocking that the patient had gone through emotions so strongly that physical change occurred within this vital organ. I learnt about the power of listening to the patient’s story and the emotional, personal impacts to the patient when in this clinical encounter, and then reflecting on it to make this piece. If we had just looked at hospital notes, for example, we would’ve just seen a brief hospital stay to treat cardiomyopathy, and not their surrounding situation, and just how much the event affected the Imelda’s life and wellbeing. I also realised how important it is to reflect on previous clinical encounters. This patient’s story shocked me and I empathised with them when I first heard it, but it was only during reflecting when designing this creative piece that I realised just how admirable Imelda was, and how important it is to not assume, but to take the time to listen.

*Name changed to preserve confidentiality

 

 

Winner of the Effective Consulting Creative Prize, Year One, 2021